It is not promising at the beginning. You apply alcohol ink on the surface and in another moment it is lying there, too dark, too concentrated, quite clumsy. Then it starts going viral and it proves to be worse. There is blooding and dissolving of colors, and blurring of edges, and you are left to stare at what appears to be a mistake. Finding more about the author at this page!
It is the puddle that most people distrust more as it is messy.
I didn’t either. I had a desire to correct it at once. Put in more liquor, shake it up, try to squeeze it into something well-known. It was normally aggravated by this.
When an individual learns to stop, then the turning point has been arrived at.
You give that puddle a few moments, and the ink begins to separate itself. Pigments change a little, light colors appear, and the edges start creating these organic lines, which are soft. It is gentle and even so it is the stage of the transformation.
You cannot cut it short you miss that stage.
And when the ink is not quite dry, but not quite wet, then it is that one little touch will upset the entire. A single drop of alcohol. A gentle tilt. A single puffing of the air.
Here the puddle starts to move willfully.
It stretches itself and forms those sweeps of which one would have known with the alcohol ink painting. The contrasts are made brighter and the colors are contrasted. What seemed to be flat a minute ago is now starting to be three-dimensional.
The turnabout of it is a cursed one.
You also have to choose whether you want to continue or not. That is easier said than done. It starts to appear good and the wish is to do it good.
Here is where a majority of the paintings fall apart.
Any additional alteration threatens to scatter again those clean lines into the mud. A single or two purposeful movements frequently are the best and not continual readjustment.
I have killed more through overworking than underworking.
The other assistance is to start with less amount of colors. A puddle which is chaotic and is composed of three colors acts in another way than a puddle which is chaotic and is composed of six. The minimized amount of colors suggests a smoother flow of the ink.
It is also favorable towards the change.
Such change in practice is gratifying to behold. You will not feel like creating the picture pixel by pixel. You are making it like you are finding it out.
It may sound to be dramatical but so it is.
It is not the puddle that is the problem, but the start. The whole process is not so disorganized when you no longer struggle that stage and start working with it.
And that is when the outcomes are the ones that tend to begin shocking you.